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Label Signum Classics |
UPC 0635212054123 |
Catalogue number SIGCD 541 |
Release date 01 June 2018 |
Andrew Nethsingha and The Choir of St John’s College, Cambridge mark the centenary of the 1918 Armistice with a new recording of choral works by Ralph Vaughan Williams. Many of the works were composed in the years immediately following the event, including O clap your hands, Lord, thou hast been our refuge and the Mass in G minor which leads the programme.
Vaughan Williams turned his attention to liturgical music following his service as a wagon orderly during the Great War. Ursula Vaughan Williams, his second wife and biographer, wrote that such work ‘gave Ralph vivid awareness of how men died’. It is perhaps unsurprising that in many of the texts to which he turned after the 1918 Armistice, the fragility and weakness of humanity becomes a recurrent theme. Despite being described as a ‘confirmed atheist’ by the philosopher Bertrand Russell, his heightened exploration of Christian texts, symbols, and images after the War might rather be understood both as an attempt to grapple anew with what might lie, as he put it, ‘beyond sense and knowledge’, and to search for consolation in religious and other inherited traditions amid a world irrevocably changed.
The fifth release in their series with Signum, the Choir of St John’s have received glowing praise for their previous releases, culminating in the choral prize at the 2017 BBC Music Magazine Awards for their debut release of works by Jonathan Harvey (Deo SIGCD456).
Williams richtte zich na de oorlog op liturgische muziek
Vaughan Williams richtte zijn aandacht op liturgische muziek nadat hij als militair dienst nam tijdens de Eerste Wereldoorlog. Ursula Williams, zijn tweede echtgenote en biografe, schreef dat dergelijk werk “Ralph een helder bewustzijn gaf van hoe mensen stierven”. Het is misschien niet verrassend dat in veel van de teksten waarop hij zich na de wapenstilstand van 1918 richtte de kwetsbaarheid en zwakheid van de mensheid een terugkerend thema is. Ondanks dat hij door de filosoof Bertrand Russell werd beschreven als een “overtuigd atheïst”, kan zijn toenemende onderzoek naar Christelijke teksten, symbolen en afbeeldingen na de oorlog, misschien begrepen worden als zowel een poging om opnieuw te worstelen met datgene wat, zoals hij zelf zegt, “buiten verstand en kennis ligt”, als een zoektocht naar troost in religieuze en andere geërfde tradities te midden van een wereld die onherroepelijk veranderd is.Performing as a conductor and organist in North America, South Africa, Far East, and throughout Europe, Andrew Nethsingha has been Director of Music at St John’s College, Cambridge since 2007. His innovations at St John’s have included weekly webcasts and a termly Bach cantata series. His recordings for Chandos have been well reviewed.
Andrew Nethsingha received his early musical training as a chorister at Exeter Cathedral, where his father was organist for over a quarter of a century. He later studied at the Royal College of Music, where he won seven prizes, and at St John’s College, Cambridge. He held Organ Scholarships under Christopher Robinson, at St George’s Windsor, and George Guest, at St John’s, before becoming Assistant Organist at Wells Cathedral. He was subsequently Director of Music at Truro and Gloucester Cathedrals. Other recent positions have included Artistic Director of the Gloucester Three Choirs Festival and Musical Director of the Gloucester Choral Society.
He has served as President of the Cathedral Organists’ Association. He has worked with some of the UK’s leading orchestras. Andrew’s concerts with the Philharmonia Orchestra have included many of the major choral works: Mahler’s 8th Symphony, Beethoven’s 9th Symphony, Britten War Requiem, Brahms Requiem, Elgar’s The Dream of Gerontius and The Kingdom, Walton Belshazzar’s Feast, Poulenc Gloria and Duruflé Requiem. He has also worked with the Royal Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the London Mozart Players, Britten Sinfonia, the Aarhus Symfoniorkester and the BBC Concert Orchestra. Recent conducting engagements have included the BBC Proms, Amsterdam Concertgebouw and Tokyo Suntory Hall. He regularly runs choral courses in various countries, including France and the U.S.A.